The art of fiction


Nonfiction was originally a neologism coined by Truman Capote to describe his work The Killing (966).

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Nonfiction was originally a neologism coined by Truman Capote to describe his work The Killing (966). In 1959, four members of a typical Midwestern family were brutally murdered by two psychopaths from the American underclass. Capote investigated the family's history and social background, interviewed two convicts on death row, and witnessed their executions. Then he wrote a report about the murder and its serious consequences, and put all the facts obtained after careful investigation into a gripping story, which is different from the general novel in style and structure. It is the first documentary story that has been quite popular in recent years. Documentary stories are represented by Tom Wolfe's "Radical Fashion" and "Authentic", Norman Mailer's "Army of the Night" and "The Executioner's Song", and Thomas Kennelly's "Schindler's Ark". It goes without saying that "nonfiction" is an inconsistent term. Therefore, it is not surprising that the attribution of such books often becomes the focus of suspicion and controversy. Are they historical works or news reports or the product of imagination? Schindler's Ark, for example,stainless steel toilet, is based on the real and unusual experience of a German businessman. The German businessman used his position as a forced labor employer in Nazi-occupied Poland to save the lives of many Jews. It was published as nonfiction in the United States, but it won the Booker Prize for Fiction in Britain. Tom Wolfe began his literary career as a journalist, interviewing and reporting on the more grotesque manifestations of American popular culture. Later, he enriched the content of the story to elucidate his theme. For example, the brushwork of "Radical Fashion" is extremely funny and almost mischievous. This book is about a fund-raising event hosted by New York intellectuals who like to follow the trend for the Black Panther Party. In the sixties and seventies of the twentieth century,Manual Flush Valve, other writers were writing in the same way. Wolfe saw himself as leading a new literary effort he called "The New News." "The New News" is the title of a collection he edited in 1973. In the preface, he claimed that the New News inherited the tradition of describing modern social reality in fiction. Other novelists, he argued, simply ignored social reality because they were too enamored of myth, allegory, and metafictional techniques to notice what was happening around them. (Wolfe later tried to revitalize the panoramic social novel in The Bonfire of Fame, with some success.) In nonfiction, Service Sink Faucets ,Flush Retrofit Kit, new journalism, "nonfiction," and so on, the techniques of fiction can make people excited, tense, and emotional, which traditional reporting or historical works do not pursue, but for readers, ensuring that the story is "true" adds an attraction that no novel can match. Although today it is a popular form of narrative, in fact it has existed in different ways for a long time. The novel as a literary form evolved partly from the early journalism, with broadsides, loose-leaf anthologies, criminal confessions, reports of disasters, wars, and special events. Although almost all of them contain fictional elements, they are passed on as true stories to blindly credulous readers who are eager to know the details of events. Daniel Defoe began writing his novels by imitating supposedly documentary stories such as The Haunting of Madame Vere and The Chronicles of the Great Plague. Before the emergence of the "scientific" method of history in the late nineteenth century, fiction and historiography interpenetrated and complemented each other. Scott saw himself as both a novelist and a historian. In The French Revolution, Carlyle writes more like a novelist than a modern historian. In the preface to his anthology New News, Tom Wolfe identifies four creative techniques derived from fiction: (1) telling the story through the plot rather than summarizing it. (2) prefer to use direct speech rather than paraphrased speech. (3) Describe events from the perspective of the participants rather than from an impersonal perspective. (4) Mixed use of details about people's appearance, clothing, property, body language and so on, while in realistic fiction, they are symbols of class, character,Time Delay Tap, status and social background. Carlyle uses all of these techniques in Revolution in France, as well as others that Wolff does not mention, such as the use of the "historical present" tense and the involvement of the reader as a listener to create the illusion that we are witnessing or eavesdropping on some historical event. cnkexin.com

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